JAMES II AND HIS ARTISTIC PATRONAGE IN SANTES CREUS: PURPOSES, SEMANTIC CONTENT AND THE INFLUENCE OF FREDERICK II.
This study analyses two of the great artistic projects that James II the Just (1291-1327) promoted at the Cistercian monastery of Santes Creus (Aiguamúrcia, Tarragona, Catalonia, Spain) and which still stand to this day; namely, the dynastic pantheon and the cloister, specifically the unusual south-...
| Publicado en: | Imago Temporis. Medium Aevum Vol. 16; pp. 241 - 266 |
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| Formato: | Artículo |
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Consolidated Medieval Studies Research Group Space, Power & Culture
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=160949116&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 160949116 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18883931 8YVZ jtl: Imago Temporis. Medium Aevum issn: 18883931 maglogo: N pubinfo: dt: 2022 vid: 16 pid: 53726 pub: Consolidated Medieval Studies Research Group Space, Power & Culture artinfo: ui: 160949116 10.21001/itma.2022.16.08 ppf: 241 ppct: 25 formats: fmt: @attributes: type: P size: 18MB tig: atl: JAMES II AND HIS ARTISTIC PATRONAGE IN SANTES CREUS: PURPOSES, SEMANTIC CONTENT AND THE INFLUENCE OF FREDERICK II. aug: au: COLL, MARTA SERRANO affil: UNIVERSITAT ROVIRA I VIRGILI SPAIN. su: Patronage Divine providence Columns Sacredness Monasteries Convents Sicily (Italy) sug: subj: Sicily (Italy) Patronage Divine providence Columns Sacredness Monasteries Convents keyword: Crown of Aragon Frederick of Sicily James II Liber Augustalis Santes Creus ab: This study analyses two of the great artistic projects that James II the Just (1291-1327) promoted at the Cistercian monastery of Santes Creus (Aiguamúrcia, Tarragona, Catalonia, Spain) and which still stand to this day; namely, the dynastic pantheon and the cloister, specifically the unusual south-western pillar adjacent to the Porta Reial (Royal Entrance). The study explains the extent to which both had an aesthetic, persuasive and communicative purpose that was intended to serve the royal rhetoric and how sacredness, lineage and the role of the sovereign as executor of divine providence were key concepts for understanding the totality of these eloquent visual devices. To do this, as I will show, it is essential to examine the influences of Frederick II of Sicily, in particular the legal code known as the Liber Augustalis. pubtype: Academic Journal doctype: Article src: R language: Catalan refInfo: copyright: @attributes: flag: Y custom: Copyright of Imago Temporis. Medium Aevum is the property of Consolidated Medieval Studies Research Group Space, Power & Culture and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Imago Temporis. Medium Aevum holder: Consolidated Medieval Studies Research Group Space, Power & Culture dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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