David Tudor in the Late 1980s: Understanding a Secret Voice.

David Tudor's compositions of the late 1980s are somewhat mysterious. His artistic and technical approach was unique and can be seen as a precursor to much of the underground noise and avant-rock music that permeates the alternative club scene today. The author uses Tudor's Web pieces to explore his...

Descripción completa

Detalles Bibliográficos
Publicado en:Leonardo Music Journal Vol. 14; no. 1; pp. 41 - 49
Autor principal: Gray, D' Arcy Philip
Formato: Artículo
Publicado: MIT Press Dec2004
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=16100807&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 16100807
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        09611215
        1F1
      jtl: Leonardo Music Journal
      issn: 09611215
      maglogo: N
    pubinfo:
      dt: Dec2004
      vid: 14
      iid: 1
      pid: 776
      pub: MIT Press
    artinfo:
      ui:
        16100807
        10.1162/0961121043067361
      ppf: 41
      ppct: 8
      formats:
        fmt:
          @attributes:
            type: P
            size: 2.3MB
      tig:
        atl: David Tudor in the Late 1980s: Understanding a Secret Voice.
      aug:
        au: Gray, D' Arcy Philip
      su:
        Tudor, David, 1926-1996
        Composers
        Musical composition
        Avant-garde music
        Rock music
        Nightclubs
      sug:
        subj:
          Tudor, David, 1926-1996
          Composers
          Musical composition
          Avant-garde music
          Rock music
          Nightclubs
      ab: David Tudor's compositions of the late 1980s are somewhat mysterious. His artistic and technical approach was unique and can be seen as a precursor to much of the underground noise and avant-rock music that permeates the alternative club scene today. The author uses Tudor's Web pieces to explore his later work, studying his methodology and the possibility of reconstructing his systems.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Leonardo Music Journal
      holder: MIT Press
      dt:
        @attributes:
          year: 2004
    holdings:
      @attributes:
        islocal: N