Mémoires d’éditeurs (XXe – XXIe siècles).
Based on a corpus of ten works (of the following publishers: Belfond, Bordas, Buchet, Corti, Girodias, Laffont, Nadeau, Nyssen, Pauvert, Verny and Zylberstein), this paper tries to define a small poetics of publishers’ memoirs, a genre which oscillates between an autobiography, a story and a portrai...
| Publicado en: | Quetes Litteraires no. 12; pp. 258 - 271 |
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| Formato: | Artículo |
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Katolicki Uniwersityt Lubelski Jana Pawla II, Wydzial Nauk Humanistycznych, Institut Filologii Romaj
2022
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=161167647&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 161167647 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20848099 L6K1 jtl: Quetes Litteraires issn: 20848099 maglogo: N pubinfo: dt: 2022 iid: 12 pid: 41965 pub: Katolicki Uniwersityt Lubelski Jana Pawla II, Wydzial Nauk Humanistycznych, Institut Filologii Romaj artinfo: ui: 161167647 10.31743/ql.14883 ppf: 258 ppct: 13 formats: tig: atl: Mémoires d’éditeurs (XXe – XXIe siècles). aug: au: Sangsue, Daniel affil: Université de Neuchâtel. su: Memoirs Author-publisher relations Literary prizes Collective memory Autobiography Bildungsromans Alma-Ata (Kazakhstan) sug: subj: Alma-Ata (Kazakhstan) Memoirs Author-publisher relations Literary prizes Collective memory Autobiography Bildungsromans keyword: autobiography book edition literary awards manuscript memoirs memory writer écrivain édition autobiographie livre mémoire mémoires manuscrit prix littéraires ab: Based on a corpus of ten works (of the following publishers: Belfond, Bordas, Buchet, Corti, Girodias, Laffont, Nadeau, Nyssen, Pauvert, Verny and Zylberstein), this paper tries to define a small poetics of publishers’ memoirs, a genre which oscillates between an autobiography, a story and a portrait, and which mixes individual and collective memory. The study focuses on different components and topoï of this kind of narratives: a Bildungsroman, themes of passion for books and a book as an object, a foundation story, a description of a publisher’s tasks (choice of manuscripts, supporting authors, running for literary awards, etc.). Presenting a pragmatic view on the production of books, publishers’ memoirs offer a gallery of renewed portraits of different writers, as well as afford an alternative and interesting glance at literature, and in particular at: historical context of its production, material and pecuniary conditions of its creation, authors’ and publishers’ strategies, relationships between authors and publishers. À partir d’un corpus d’une dizaine d’ouvrages (des éditeurs Belfond, Bordas, Buchet, Corti, Girodias, Laffont, Nadeau, Nyssen, Pauvert, Verny et Zylberstein), cet article esquisse une petite poétique des mémoires d’éditeurs, genre qui oscille entre autobiographie, histoire et portraits, et qui conjugue mémoire individuelle et mémoire collective. L’étude porte sur les différentes composantes et les topoï de ce type de récit : le récit de formation, les motifs de la passion pour la lecture et le livre comme objet, le récit de fondation, la description des tâches de l’éditeur (choix des manuscrits, accompagnement des auteurs, course aux prix littéraires…). Présentant une vision pragmatique de la production du livre, les mémoires d’éditeurs apportent un éclairage alternatif et précieux sur la littérature : contexte historique de sa production, conditions matérielles et financières de la création, stratégies auctoriales et éditoriales, rapports entre auteurs et éditeurs, et ils offrent une galerie de portraits dans laquelle les écrivains apparaissent sous un jour nouveau. pubtype: Academic Journal doctype: Article src: R language: French refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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