Participation in God's Love: Revisiting John Milbank's 'Out‐Narration' in the Light of Jean‐Louis Chrétien and the Song of Songs.
In this essay, I interrogate the nature and grounds of Milbank's understanding of taste as it applies to differing mythic sensibilities, arguing that it is insufficiently responsive to the priority of God's action and so inadequate to a Christian theological account of the interplay of mythoi. By re...
| Publicado en: | Heythrop Journal Vol. 64; no. 1; pp. 75 - 87 |
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| Formato: | Artículo |
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Wiley-Blackwell
Jan2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=161246326&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 161246326 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00181196 D84 jtl: Heythrop Journal issn: 00181196 maglogo: Y pubinfo: dt: Jan2023 vid: 64 iid: 1 pid: 480 pub: Wiley-Blackwell artinfo: ui: 161246326 10.1111/heyj.14161 ppf: 75 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 145KB tig: atl: Participation in God's Love: Revisiting John Milbank's 'Out‐Narration' in the Light of Jean‐Louis Chrétien and the Song of Songs. aug: au: Shamel, Andrew T. affil: Chaplain, Lincoln College, University of Oxford su: Milbank, John, 1952- Louis, Jean, 1907-1997 Chrétien, Jean, 1934- Bible. Song of Solomon Christians sug: subj: Milbank, John, 1952- Louis, Jean, 1907-1997 Chrétien, Jean, 1934- Bible. Song of Solomon Christians ab: In this essay, I interrogate the nature and grounds of Milbank's understanding of taste as it applies to differing mythic sensibilities, arguing that it is insufficiently responsive to the priority of God's action and so inadequate to a Christian theological account of the interplay of mythoi. By reading Milbank in light of The Song of Songs and Jean‐Louis Chrétien's phenomenology of prayer, I suggest that rather than the subject embracing a mythos, it is instead the mythos which first embraces the subject. Thus one no longer requires recourse to the implicitly violent language of 'out‐narration', but can speak instead of willing seduction by God. By approaching taste in this way, especially in relation to 'mythic sensibilities', a more truly Christian approach to difference becomes possible. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Heythrop Journal is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Heythrop Journal holder: Wiley-Blackwell dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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