Salsa Criticism at the Turn of the Century: Identity Politics and Authenticity.
Turning the table on the critics, a salsa musician writes about the writings on music, becoming a critic himself during the process. Having played in at least one of the famous salsa hands mentioned in each of the books he considers, the musician sets out with the presumption that the critics will h...
| Publicado en: | Popular Music & Society Vol. 28; no. 1; pp. 35 - 55 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=16130250&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 16130250 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: Feb2005 vid: 28 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 16130250 10.1080/0300776042000300963 ppf: 35 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.3MB tig: atl: Salsa Criticism at the Turn of the Century: Identity Politics and Authenticity. aug: au: Katz, Marco su: Musical criticism Salsa music Musicians Music sug: subj: Musical criticism Salsa music Musicians Music ab: Turning the table on the critics, a salsa musician writes about the writings on music, becoming a critic himself during the process. Having played in at least one of the famous salsa hands mentioned in each of the books he considers, the musician sets out with the presumption that the critics will have nothing new to tell him. Picking his way along the printed pages, he discovers answers to some of the questions that plagued him during salsa's golden age, as well as newly significant aspects of a musical style that has lasted long enough to be heard by the children of its original audience. Some mysteries remain, however; the critics cannot agree on who plays this music authentically, who knows how to listen to it, and why. In the end, it may turn out that the music will create its own listeners: the interbred offspring of salsa's varied listeners who are as difficult to categorize as the music. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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