Programming gender: surveillance, identity, and paranoia in Ex Machina.

This article examines the 2015 film Ex Machina as a cultural text that exemplifies the technologization of gender within algorithmic culture. Analysing different textual elements — the narrative diegesis, the marketing material, and the digital techniques used in the VFX post-production process—I ar...

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Publicado en:	Cultural Studies Vol. 37; no. 1; pp. 46 - 65
Autor principal:	Phan, Thao
Formato:	Artículo
Publicado:	Taylor & Francis Ltd Jan2023
Materias:	Ex Machina (Film) Post-production in motion pictures Gender Culture Algorithms
Acceso en línea:	Ver este registro en EBSCOhost