Automated culture: introduction.
Automation has a long history in cultural production, but the contemporary moment presents a range of new possibilities and demands for the deployment of automated and autonomous systems in the shaping of our cultural and social worlds. The cultural implications of the deployment of automated system...
| Publicado en: | Cultural Studies Vol. 37; no. 1; pp. 1 - 20 |
|---|---|
| Autores principales: | , , , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Jan2023
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=161309804&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 161309804 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09502386 05G jtl: Cultural Studies issn: 09502386 maglogo: N pubinfo: dt: Jan2023 vid: 37 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 161309804 10.1080/09502386.2022.2042579 ppf: 1 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.6MB tig: atl: Automated culture: introduction. aug: au: Andrejevic, Mark Fordyce, Robbie Li, Luzhou Trott, Verity affil: School of Media, Film, and Journalism, Monash University, Melbourne, Australia su: Automation Cultural production Financial institution software Social media Data mining sug: subj: Automation Cultural production Financial institution software Social media Data mining keyword: culture data mining deep fakes FinTech Mechanical Turk social media ab: Automation has a long history in cultural production, but the contemporary moment presents a range of new possibilities and demands for the deployment of automated and autonomous systems in the shaping of our cultural and social worlds. The cultural implications of the deployment of automated systems for producing, curating, and distributing a growing range of cultural texts and artifacts extend beyond the realm of content to encompass their pace, rhythm, and scale. Understanding the significance of these shifts remains a central task for cultural studies research that builds on the field's historical engagement with the entwinement of cultural practices, social relations, and power. This theme issue builds on the historical and recent concerns of cultural studies to provide a range of approaches to the cultural significance of automation. Given the scope of the transformations, the coverage of possible topics is indicative rather than exhaustive. The articles in this collection range across the realms of automated news curation, credit scoring, image curation, deep fakes, data science, the gig economy, and content moderation. They engage with possible responses to the real and potential pathologies of automation in the cultural realm – while highlighting the links between culture, politics, and economics. Taken together they develop a range of critical approaches to the sometimes creeping, sometimes galloping automation of cultural production, curation, and distribution. While stressing the moments of historical continuity with earlier forms of bureaucratic and administrative rationality, they simultaneously indicate that we are, in many ways, still in the very early stages of a process that is likely to encompass an expanding range of cultural practices and texts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
|---|