TRANSDISCIPLINARY AND TRANSNATIONAL MANIFESTATIONS IN OJĀRS FELDBERGS' ART: THE CONCEPT OF BORDERS.
In this article the author examines the concepts of transdisciplinarity and transnationalism as methodological tools in art analysis. By applying these tools to the case study of Latvian artist Ojārs Feldbergs and addressing the concept of borders in his art, the author questions knowledge productio...
| Publicado en: | Culture Crossroads Vol. 21; pp. 91 - 106 |
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| Formato: | Artículo |
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University in Riga, Latvian Academy of Culture
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=161391383&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 161391383 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 16913019 KSTW jtl: Culture Crossroads issn: 16913019 maglogo: N pubinfo: dt: 2022 vid: 21 pid: 31734 pub: University in Riga, Latvian Academy of Culture artinfo: ui: 161391383 10.55877/cc.vol21.274 ppf: 91 ppct: 15 formats: tig: atl: TRANSDISCIPLINARY AND TRANSNATIONAL MANIFESTATIONS IN OJĀRS FELDBERGS' ART: THE CONCEPT OF BORDERS. aug: au: Kristberga, Laine affil: Institute of Literature, Folklore and Art of the University of Latvia, Latvia su: Art Cultural centers Parallel processing Transnationalism Sculpture sug: subj: Art Cultural centers Parallel processing Transnationalism Sculpture keyword: Ojārs Feldbergs performance the concept of borders transdisciplinary transnational ab: In this article the author examines the concepts of transdisciplinarity and transnationalism as methodological tools in art analysis. By applying these tools to the case study of Latvian artist Ojārs Feldbergs and addressing the concept of borders in his art, the author questions knowledge production systems, especially in terms of Western art discourse. The author doubts that in our hybrid globalised world it is still possible to look at artists and their oeuvre through a monoethnic perspective. It is important to be aware of parallel processes, intercultural encounters and sources of inspiration beyond the borders of one country or discipline. Yet, in doing so, the centre-periphery relationship should be addressed critically and the dictate of cultural metropolises as centres should be avoided. Given that Feldbergs' art cannot be seen as a constituent of isolated elements - object (sculpture), space (environment), time, spectatorship - but, indeed, as a complex whole, which is hybrid and synthesised, it is crucial to define Feldbergs' artistic strategies addressing the concept of borders - both physical and symbolic. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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