Byron's Ballroom Poetics and the Echoes of War.

This article traces what we call Byron's 'ballroom poetics' through Waltz, Don Juan, and Childe Harold's Pilgrimage III. Why, we ask, do balls so frequently serve as an occasion to introduce matters of war? Byron's frequent invocation of war and wartime in connection with balls and celebration, we s...

Descripción completa

Detalles Bibliográficos
Publicado en:Byron Journal Vol. 50; no. 2; pp. 89 - 103
Autores principales: Sachs, Jonathan, Stauffer, Andrew
Formato: Artículo
Publicado: Liverpool University Press / Journals 2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=161468518&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 161468518
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        03017257
        3DEP
      jtl: Byron Journal
      issn: 03017257
      maglogo: N
    pubinfo:
      dt: 2022
      vid: 50
      iid: 2
      pid: 39786
      pub: Liverpool University Press / Journals
    artinfo:
      ui:
        161468518
        10.3828/bj.2022.15
      ppf: 89
      ppct: 14
      formats:
      tig:
        atl: Byron's Ballroom Poetics and the Echoes of War.
      aug:
        au:
          Sachs, Jonathan
          Stauffer, Andrew
        affil:
          Concordia University
          University of Virginia
      su:
        Byron, George Gordon Byron, Baron, 1788-1824
        Poetics
        Balls (Parties)
        Harold, Childe
        French Revolution, 1789-1799
        Duchesses (Nobility)
      sug:
        subj:
          Byron, George Gordon Byron, Baron, 1788-1824
          Poetics
          Balls (Parties)
          Harold, Childe
          French Revolution, 1789-1799
          Duchesses (Nobility)
      ab: This article traces what we call Byron's 'ballroom poetics' through Waltz, Don Juan, and Childe Harold's Pilgrimage III. Why, we ask, do balls so frequently serve as an occasion to introduce matters of war? Byron's frequent invocation of war and wartime in connection with balls and celebration, we suggest, underscores how the distance and drift of war came home to Regency culture. But the occasion of the ball could also be brought to the warfront as in Byron's account of the Duchess of Richmond's ball in Childe Harold III, which shows how the memories of past battles, and anticipations of future ones, weigh on the minds of the living and how that weight infuses even moments of revelry. Ultimately, Byron's connection between ballroom and battleground reveals how Regency Britons thought about the end (and ends) of the French Revolution, the omnipresence of war, and the fraught prospects of the future unfolding for the nineteenth century and beyond.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2022
    holdings:
      @attributes:
        islocal: N