404: file not found web archives and the challenges of preserving digital film promotion.
This article builds upon the invitation at the end of a previous contribution to the Historical Journal of Film, Radio and Television by Keith Johnston to take up the methodological challenges relating to the study of historical promotional materials. The article focuses on a form of promotion that...
| Publicado en: | Historical Journal of Film, Radio & Television Vol. 43; no. 1; pp. 184 - 209 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=161588249&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 161588249 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01439685 HFT jtl: Historical Journal of Film, Radio & Television issn: 01439685 maglogo: N pubinfo: dt: Mar2023 vid: 43 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 161588249 10.1080/01439685.2022.2096309 ppf: 184 ppct: 25 formats: fmt: – @attributes: type: T – @attributes: type: P size: 600KB tig: atl: 404: file not found web archives and the challenges of preserving digital film promotion. aug: au: Walden, Kim Louise su: Web archives Digital preservation Preservation of archival materials Archival resources Promotional films sug: subj: Web archives Digital preservation Preservation of archival materials Archival resources Promotional films ab: This article builds upon the invitation at the end of a previous contribution to the Historical Journal of Film, Radio and Television by Keith Johnston to take up the methodological challenges relating to the study of historical promotional materials. The article focuses on a form of promotion that has emerged with the advent of the Internet – the film website. It starts with an examination of the archival record online. It considers the development of web archiving and the nature of the archive as it transforms from the physical to the digital. In the light of this history a selection of film promotion repositories is examined: the largest online archive in the world- the Internet Archive; a German museum initiative - DigitalCraft.Org; new kinds of archives like the Webby Awards and an enthusiast's blog – Movie Marketing Madness. Through an investigation of these online archives, the contours of this promotional form emerge and the mapping of its historical development can commerce. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Historical Journal of Film, Radio & Television is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Historical Journal of Film, Radio & Television holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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