Passing in Catalonia: Performative Nationalism in Lluny de l'horitzó perfumat.

This article examines the politics and erotics of Catalan nationalism in the 2004 novel Lluny de l'horitzó perfumat (Far from the Perfumed Horizon), written in Catalan by the Palestinian-Catalan writer Salah Jamal and set in Barcelona during the Transition to Democracy. The article argues that the n...

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Published in:Hispanic Review Vol. 90; no. 4; pp. 1 - 26
Main Author: Jackson, Holly
Format: Article
Published: University of Pennsylvania Press Autumn2022
Subjects:
Online Access:View this record in EBSCOhost
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        au: Jackson, Holly
        affil: Northern Arizona University
      su:
        Nationalism
        Jamal, Salah
        Lluny de l'horitzó perfumat (Book)
        Linguistics
        Social mobility
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          Nationalism
          Jamal, Salah
          Lluny de l'horitzó perfumat (Book)
          Linguistics
          Social mobility
      keyword:
        Catalan Literature
        Catalanisme
        Catalanitat
        Catalonia
        Class
        Holly Jackson
        Identity
        Immigration
        Moro
        Orientalism
        Palestinian Diaspora
        Passing
        Performativity
        Race
        Salah Jamal
        Spain
        Stereotypes
        Transition To Democracy
        Xarnego
      ab: This article examines the politics and erotics of Catalan nationalism in the 2004 novel Lluny de l'horitzó perfumat (Far from the Perfumed Horizon), written in Catalan by the Palestinian-Catalan writer Salah Jamal and set in Barcelona during the Transition to Democracy. The article argues that the narrator's ability to "pass"—across ethnoracial, religious, linguistic, socioeconomic, and political lines—is not only an individual's tactic for securing social mobility, but also a gauge of shifting national narratives in the Transition. The article shows how socioeconomic class played into racial constructs that, in turn, supported the nationalist reimagining of Catalonia as a space apart during the Transition. By way of conclusion, the article proposes one of the novel's many satirical monikers, "Moroland," as a keyword for conceptualizing Catalonia as a transnational space of passing. "Moroland" offers a theory for rethinking Transition-era Catalonia in terms of the instability and performativity of identity.
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