Cross Cultural Temporal Tendencies between Monochronic and Polychronic Materialisation in the films A Tale of Two Sisters (2003) and The Uninvited (2009).
Material culture is an extension of spatial–temporal perceptions and behaviour. The nature of the manner in which rhetorical material is woven into visual narrative become symbolic expressions of material assembly. Mikhail Bakhtin referred to such material assembly as "flesh" in the instance of the...
| Published in: | Critical Arts: A South-North Journal of Cultural & Media Studies Vol. 36; no. 3/4; pp. 103 - 116 |
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| Format: | Article |
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Taylor & Francis Ltd
Jun-Aug2022
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=162079932&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 162079932 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02560046 CTA jtl: Critical Arts: A South-North Journal of Cultural & Media Studies issn: 02560046 maglogo: N pubinfo: dt: Jun-Aug2022 vid: 36 iid: 3/4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 162079932 10.1080/02560046.2022.2088819 ppf: 103 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.1MB tig: atl: Cross Cultural Temporal Tendencies between Monochronic and Polychronic Materialisation in the films A Tale of Two Sisters (2003) and The Uninvited (2009). aug: au: Tomaselli, Damien R. affil: Faculty of Architecture & Design (FADA), Visual Identities and Design (VIAD), University of Johannesburg, Johannesburg, South Africa su: Material culture Bakhtin, Mikhail Hall, Edward Symbolism Materialism sug: subj: Material culture Bakhtin, Mikhail Hall, Edward Symbolism Materialism keyword: A Tale of Two Sisters chronotope film ideologeme monochronic time polychronic time spacetime Time dilation ab: Material culture is an extension of spatial–temporal perceptions and behaviour. The nature of the manner in which rhetorical material is woven into visual narrative become symbolic expressions of material assembly. Mikhail Bakhtin referred to such material assembly as "flesh" in the instance of the novel. In this article, I will extend Bakhtin's notion of "flesh" to film and demonstrate that Edward Hall's theory of mono-chronic and poly-chronic time apply to the materialisation of narrative flesh in the films discussed herein. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Critical Arts: A South-North Journal of Cultural & Media Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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