Concept of Nature in the Musical Aesthetics of the Chinese Guqin.
This study explores the concept of nature in the musical aesthetics of the Chinese guqin (zither) from a material perspective (i.e., through the materials, musical tablatures, melodic phrases, and suitable environments used in playing the guqin), and from a spiritual perspective through an analysis...
| Publicado en: | Journal of Comparative Literature & Aesthetics Vol. 46; no. 1; pp. 161 - 172 |
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| Formato: | Artículo |
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Vishvannath Kaviraja Institute of Comparative Literature & Aesthetics
Spring2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=162229121&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 162229121 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02528169 FNP3 jtl: Journal of Comparative Literature & Aesthetics issn: 02528169 maglogo: N pubinfo: dt: Spring2023 vid: 46 iid: 1 pid: 83126 pub: Vishvannath Kaviraja Institute of Comparative Literature & Aesthetics artinfo: ui: 162229121 ppf: 161 ppct: 11 formats: tig: atl: Concept of Nature in the Musical Aesthetics of the Chinese Guqin. aug: au: MEI-YEN LEE affil: National Pingtung University, Taiwan su: Musical aesthetics Music appreciation Music & culture Qin (Musical instrument) Musical composition sug: subj: Musical aesthetics Music appreciation Music & culture Qin (Musical instrument) Musical composition keyword: "Qin Fu" ("Rhapsody on the Zither" or "Poetic Essay on the Lute") "Xi Shan Qin Kuang" ("Xishan Treatise on the Aesthetics of Qin Music" or "Hsi-Shan's Epithets on Qin Music") Guqin Hong Hsu Kang Hsi musical aesthetics nature ab: This study explores the concept of nature in the musical aesthetics of the Chinese guqin (zither) from a material perspective (i.e., through the materials, musical tablatures, melodic phrases, and suitable environments used in playing the guqin), and from a spiritual perspective through an analysis of Kang Hsi's "Qin Fu" ("Rhapsody on the Zither," or "Poetic Essay on the Lute") and Hong Hsu's "Xi Shan Qin Kuang" ("Xishan Treatise on the Aesthetics of Qin Music," or "Hsi-Shan's Epithets on Qin Music"). Guqin aesthetics developed under the influence of the Taoist theory regarding cultivation reflecting the highest level of unity among humans, nature, and the universe. The concept of nature is at the core of guqin music, and harmonious unity with nature is the main pursuit of guqin players. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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