From National Hero to National Problem: The Image of the Worker in Pix (1938–1954).
Despite its reputation as a frivolous and licentious magazine, Pix (1938–1972) published a large number of documentary photo essays on work and the daily strife of the Australian labourer. More importantly, the popular magazine promoted a stern work ethic, presented as a sign of patriotism and moral...
| Publicado en: | Journal of Australian Studies Vol. 47; no. 1; pp. 49 - 71 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=162238327&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 162238327 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14443058 3J2 jtl: Journal of Australian Studies issn: 14443058 maglogo: N pubinfo: dt: Mar2023 vid: 47 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 162238327 10.1080/14443058.2022.2155685 ppf: 49 ppct: 22 formats: fmt: – @attributes: type: T – @attributes: type: P size: 5.1MB tig: atl: From National Hero to National Problem: The Image of the Worker in Pix (1938–1954). aug: au: Magagnoli, Paolo affil: School of Communication and Arts, The University of Queensland, Brisbane, Australia su: Patriotism Duty Work ethic Liberalism Reputation Cardinal virtues Political science sug: subj: Patriotism Duty Work ethic Liberalism Reputation Cardinal virtues Political science keyword: capitalism Class documentary photography work ethic ab: Despite its reputation as a frivolous and licentious magazine, Pix (1938–1972) published a large number of documentary photo essays on work and the daily strife of the Australian labourer. More importantly, the popular magazine promoted a stern work ethic, presented as a sign of patriotism and moral virtue. Pix's politics are hard to pin down insofar as the magazine never endorsed specific parties or social movements; instead, it adopted an apparently neutral stance in relation to political issues, giving equal coverage to the three mainstream parties of the time. If the national narrative of work that Pix glorified was, fundamentally, a bipartisan narrative, was Pix really apolitical and value-free? I say no: the locus of Pix's politics has to be found in the way the magazine mobilised the discourse of the work ethic. By reducing work to a moral obligation, Pix tended to individualise and normalise waged work, concealing the unequal and coercive relations informing the social space of the factory. In so doing, the magazine conveyed and championed values such as independence and entrepreneurship that were central to the liberal ideology that found expression in Robert Menzies's contemporary speeches. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Australian Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Australian Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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