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Learning from "The Sounding Object": Sound Design in the Critical Reimagining of Museum Object Narratives.

This article focuses on an expanded critical sound design practice drawing on the qualities of sound associated with embodiment, vocality, and memory. We argue for sound design as a critical tool in communicating design histories in museums, highlighting the case of a research-based pedagogical proj...

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Publicado en:Design Issues Vol. 39; no. 2; pp. 57 - 72
Autores principales: Candela, Emily, de Visscher, Eric
Formato: Artículo
Publicado: MIT Press Spring2023
Acceso en línea:Ver este registro en EBSCOhost
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          Candela, Emily
          de Visscher, Eric
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        design museums
        history-writing
        Sound design
      ab: This article focuses on an expanded critical sound design practice drawing on the qualities of sound associated with embodiment, vocality, and memory. We argue for sound design as a critical tool in communicating design histories in museums, highlighting the case of a research-based pedagogical project between the Royal College of Art and the Victoria & Albert Museum, "The Sounding Object," which united sound design, history, and critical museology. The project reveals links between sound design practice, history writing, and critical curatorship, demonstrating how sound enhances museums' capacity to embrace the contingency of history, communicate in inclusive ways, and truly become "polyphonic."
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    language: English
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