Neglected Witnesses to George Herbert's Musæ Responsoriæ, and a Previously Unpublished Poem, "Wren cum Chirothecis".

This article considers three manuscript witnesses to the Musæ Responsoriæ , George Herbert's answer to Andrew Melville's polemical poem Anti-Tami-Cami-Categoria. None of these, two of them complete copies, was known to Herbert's first modern editor, F. E. Hutchinson, nor are they mentioned in any of...

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Published in:Studies in Philology Vol. 120; no. 2; pp. 247 - 284
Main Authors: Whalen, Robert, Roman, Luke
Format: Article
Published: University of North Carolina Press Spring2023
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        atl: Neglected Witnesses to George Herbert's Musæ Responsoriæ, and a Previously Unpublished Poem, "Wren cum Chirothecis".
      aug:
        au:
          Whalen, Robert
          Roman, Luke
        affil:
          Northern Michigan University
          Memorial University of Newfoundland
      su:
        Latin poetry
        Latin epigrams
        Poetry (Literary form)
        Polemics
        Herbert, George, 1593-1633
        Melville, Andrew
      sug:
        subj:
          Latin poetry
          Latin epigrams
          Poetry (Literary form)
          Polemics
          Herbert, George, 1593-1633
          Melville, Andrew
      ab: This article considers three manuscript witnesses to the Musæ Responsoriæ , George Herbert's answer to Andrew Melville's polemical poem Anti-Tami-Cami-Categoria. None of these, two of them complete copies, was known to Herbert's first modern editor, F. E. Hutchinson, nor are they mentioned in any of the several subsequent editions of Herbert's Latin verse, all of which follow Hutchinson's sole source, the 1662 Ecclesiastes Solomonis of James Duport. In addition to providing descriptions of their contents and provenance, we survey the substantive variants and accidentals pertaining to the two complete copies and argue why one in particular will supplant Duport as copy-text for the new edition of Herbert's works currently in progress for Oxford University Press. Our essay also presents a hitherto unknown Latin epigram that appears in the other complete copy and considers evidence for attributing the poem to the author of The Temple.
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