Rural Melodrama, the Western, and the Politics of National Reconciliation in Juan Antonio Bardem's La venganza (1958).
When La venganza was premiered at Cannes, critics reviewed the film negatively in comparison with Juan Antonio Bardem's previous films and vis-à-vis the aesthetics of Italian neorealism. This article claims that such a criticism was misguided from the outset and that this film should be analysed as...
| Publicado en: | Hispanic Research Journal Vol. 23; no. 1; pp. 90 - 105 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2022
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| Acceso en línea: | Ver este registro en EBSCOhost |