Death of a Subaltern: Melodrama, Class and Victimhood in Muerte de un ciclista (Juan Antonio Bardem, 1955) and La mujer sin cabeza (Lucrecia Martel, 2008).
This article provides a comparative analysis of Muerte de un ciclista (dir. Juan Antonio Bardem, 1955) and La mujer sin cabeza (dir. Lucrecia Martel, 2008). It argues that both films use the hit-and-run motif to address class difference, but also to reflect on key historical events such as the Spani...
| Publicado en: | Bulletin of Spanish Visual Studies Vol. 7; no. 1; pp. 15 - 43 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr2023
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| Acceso en línea: | Ver este registro en EBSCOhost |