Trys meno kūrinio tiesos interpretacijos – Gadameris, Heideggeris, Šliogeris.

This article examines interpretations of ontological truth of the work of art in the philosophies of Arvydas Šliogeris, Hans G. Gadamer and Martin Heidegger. All of them believe that artwork may reveal the ontological truth. This common feature suggests the possibility to consider these three interp...

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Publicado en:Problems / Problemos Vol. 103; pp. 77 - 90
Autor principal: Daknys, Mantas
Formato: Artículo
Publicado: Vilnius University 2023
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Acceso en línea:Ver este registro en EBSCOhost
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        10.15388/Problemos.2023.103.6
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        atl: Trys meno kūrinio tiesos interpretacijos – Gadameris, Heideggeris, Šliogeris.
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        au: Daknys, Mantas
        affil: Vilniaus universiteto, Filosofijos institutas.
      su:
        Heidegger, Martin, 1889-1976
        Art theory
        Work experience (Employment)
        Philosophers
        Ontology
        Possibility
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          Heidegger, Martin, 1889-1976
          Art theory
          Work experience (Employment)
          Philosophers
          Ontology
          Possibility
      keyword:
        Šliogeris
        being
        Gadamer
        Heidegger
        ontology
        truth
        work of art
        Šliogeris
        būtis
        Gadameris
        Heideggeris
        meno kūrinys
        ontologija
        tiesa
      ab:
        This article examines interpretations of ontological truth of the work of art in the philosophies of Arvydas Šliogeris, Hans G. Gadamer and Martin Heidegger. All of them believe that artwork may reveal the ontological truth. This common feature suggests the possibility to consider these three interpretations as a Heideggerian-type understanding of art. This paper argues that, while sharing the belief about the possibility of ontological truth in the artwork, their concepts of truth are fundamentally different, precisely because of the relation with language. In the first part of the article, the ontologies of works of art, the structures of experience, the importance of language and the interpretations of truth by the three philosophers are discussed. The second part explicates the essential points of tension and similarities between their concepts of ontology and the truth of artwork. The research reveals that language, as the basic plane of the junction with the world, in the experience of a work of art is more misleading than truth-revealing.
        Straipsnyje nagrinėjamos Arvydo Šliogerio, Hanso-Georgo Gadamerio ir Martino Heideggerio meno kūrinio ontologinės tiesos interpretacijos. Autoriams būdingas esminis bendras bruožas – jų supratimu, meno kūrinyje galima atverti ontologinę tiesą. Ši bendrystė skatina jų koncepcijas laikyti heidegeriško tipo meno supratimu. Bet straipsnyje argumentuojama tezė, kad nors teorinio svarstymo dalyviams būdingas bendras įsitikinimas apie ontologinės tiesos atverties galimybę meno kūrinyje, jų tiesos sampratos fundamentaliai skiriasi, visų pirma, dėl santykio su kalba. Pirmojoje straipsnio dalyje atskleidžiamos autorių meno kūrinio ontologijos sampratos, patirties struktūros, kalbos svarba ir tiesos interpretacijos. Antrojoje dalyje eksplicitiškai demonstruojami reikšmingiausi meno kūrinio ontologijos ir tiesos sampratų įtampų ir panašumų taškai. Tyrimo metu pasirodo, kad kalba, kaip pamatinė sandūros su pasauliu plotmė, meno kūrinio patirtyje yra verčiau klaidinanti negu tiesą atverianti.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Lithuanian
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