Eliciting Awe in the Spectator: The Case of a Dhrupad-Based Dance Performance.
This paper describes "Kalos, eîdos, skopeîn," an immersive Dhrupad-based dance installation designed to elicit feelings of awe in the spectators, in a real-life artistic context. This study used a mixed-methods approach in order to explore spectators' awe experience (N=45), using specific scales and...
| Publicado en: | International Journal of Transpersonal Studies Vol. 41; no. 2; pp. 48 - 72 |
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| Autores principales: | , , , , , , , , , , , , , , |
| Formato: | Artículo |
| Publicado: |
Floraglades Foundation, Inc.
2022
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=163442883&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 163442883 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 13210122 B574 jtl: International Journal of Transpersonal Studies issn: 13210122 maglogo: N pubinfo: dt: 2022 vid: 41 iid: 2 pid: 61411 pub: Floraglades Foundation, Inc. artinfo: ui: 163442883 10.24972/ijts.2022.41.2.48 ppf: 48 ppct: 24 formats: fmt: @attributes: type: P size: 3.1MB tig: atl: Eliciting Awe in the Spectator: The Case of a Dhrupad-Based Dance Performance. aug: au: Santarpia, Alfonso Martin, Andrée Menicacci, Armando De Oliveira, Pierre Lemieux, Daniel Éthier, Laurence Charbonneau, Caroline Pucella, Bruno Flambard, Christophe Gundecha, Les Frères Lusignan, Louis-Charles Bourgasser, Alice Dorléans, Élisabeth-Anne Dubé-Lavigne, Ariane Poulin, Angélique affil: Université de Sherbrooke, Sherbrooke, Québec, Canada Université de Québec à Montréal, Montréal, Québec, Canada Université Bourgogne Franche-Comté, Dijon, France su: Dance Consciousness Spectators Choreography sug: subj: Dance Consciousness Spectators Choreography keyword: art awe dance Dhrupad modified states of consciousness transpersonal approach art awe dance Dhrupad modified states of consciousness transpersonal approach ab: This paper describes "Kalos, eîdos, skopeîn," an immersive Dhrupad-based dance installation designed to elicit feelings of awe in the spectators, in a real-life artistic context. This study used a mixed-methods approach in order to explore spectators' awe experience (N=45), using specific scales and interpretative phenomenological analysis. Results suggested that "Kalos, eîdos, skopeîn," with its combination of nature motifs and the slow dance-walk associated with the Dhrupad music in the choreography, was able to produce awe-related moments in some spectators and inspire a degree of positive emotions. Our qualitative results viewed awe explicitly as a positive emotion and showed that generally the spectator narratives, involving the whole performance, were based on modified states of consciousness. Three themes emerged: the main theme is "A rich experience of modified states of consciousness" involving the whole performance, and two interconnected sub-themes "Captivated by the slowness of the dancers" associated with the slow movement and "I can still hear the mantra in my head" in rapport with Dhrupad music. This study was carried out as part of the Canadian FRQSC/FCI Project (2019-RC2-260306). pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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