Sounding the Polyphonic Cacophony of Macbeth with a Young Jozi Ensemble.
Digital theatre-making initiatives that had emerged during Covid-19 lockdowns urged an interrogation of the languages of live theatre when, in South Africa, as the public arena reopened and social interaction resumed, reconfigured notions of theatre-making seemed apt. Reformulating and reimagining t...
| Publicado en: | Shakespeare in Southern Africa Vol. 35; pp. 4 - 19 |
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| Formato: | Artículo |
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Institute for the Study of English in Africa
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |