Reconfiguring the Dialectics of Outside/ Inside: Theorizing the Space in Kamal’s Celluloid.
Film and cinema are two phenomena that seem synonymous but are actually different.1 The paper examines the dialectical tension a spectator encounters while traveling from reality2 to re-presented reality. It reads Kamal’s biopic Celluloid (2013) in the light of Gaston Bachelard’s The Poetics of Spac...
| Publicado en: | IUP Journal of English Studies Vol. 15; no. 4; pp. 44 - 68 |
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| Autores principales: | , |
| Formato: | Artículo |
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IUP Publications
Dec2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=163590540&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 163590540 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09733728 AUDX jtl: IUP Journal of English Studies issn: 09733728 maglogo: N pubinfo: dt: Dec2020 vid: 15 iid: 4 pid: 31374 pub: IUP Publications artinfo: ui: 163590540 ppf: 44 ppct: 24 formats: fmt: @attributes: type: P size: 2.1MB tig: atl: Reconfiguring the Dialectics of Outside/ Inside: Theorizing the Space in Kamal’s Celluloid. aug: au: A. P., Anupama Balakrishnan, Vinod affil: Research Scholar, Department of Humanities and Social Sciences. National Institute of Technology, Tiruchirappalli - 620015, Tamil Nadu, India. Professor, Department of Humanities and Social Sciences. National Institute of Technology, Tiruchirapalli - 620015, Tamil Nadu, India. su: Bachelard, Gaston, 1884-1962 Bourdieu, Pierre, 1930-2002 Social space Judgment (Psychology) Dialectic Biographical films Poetics sug: subj: Bachelard, Gaston, 1884-1962 Bourdieu, Pierre, 1930-2002 Social space Judgment (Psychology) Dialectic Biographical films Poetics ab: Film and cinema are two phenomena that seem synonymous but are actually different.1 The paper examines the dialectical tension a spectator encounters while traveling from reality2 to re-presented reality. It reads Kamal’s biopic Celluloid (2013) in the light of Gaston Bachelard’s The Poetics of Space (1994b) and Pierre Bourdieu’s Distinction: A Social Critique of the Judgement of Taste (1979). The argument is developed on the basis of three spaces—filmic space, social space, and cinematic space—in order to establish that these three spaces encompass the filmmaker, the film, and the spectator. The study reads Celluloid as primarily a readerly text that becomes a writerly one when the social space creates a dialectical mediation between the outside and the inside. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of IUP Journal of English Studies is the property of IUP Publications and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: IUP Journal of English Studies holder: IUP Publications dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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