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The article presents profiler of several artists including Mengwen Cao, Kramer Garfias, and Christopher Núñez. Topics include use of indigenous Central American instruments like the carraca, basically, a donkey jaw modified by ants, by Núñez; Kramer's work "Infernooooo" produced entirely with the tu...

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Detalles Bibliográficos
Publicado en:Art in America Vol. 111; no. 3; pp. 64 - 90
Autores principales: Watlington, Emily, Noor, Tausif, Greenberger, Alex, Moffitt, Evan, Díaz, Eva, Liu, Jasmine, Dayal, Mira, Wong, Harley, Moloi, Nkgopoleng, Abrams, Amah-Rose, McDermott, Emily, Voon, Claire, Scher, Robin, Schwabsky, Barry, Wu, Simon, Ng, Brian, Jen, Alex, Durón, Maximilíano
Formato: Artículo
Publicado: Penske Business Media, LLC Summer2023
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Acceso en línea:Ver este registro en EBSCOhost
Descripción
Sumario:The article presents profiler of several artists including Mengwen Cao, Kramer Garfias, and Christopher Núñez. Topics include use of indigenous Central American instruments like the carraca, basically, a donkey jaw modified by ants, by Núñez; Kramer's work "Infernooooo" produced entirely with the tufting machine; and Cao's emphasis on how Asian communities live, how queer communities live, and how migrants live.