Anatoly Bakushinsky's projects in art studies and knowledge production at the State Academy of Artistic Sciences.
The Anatoly Bakushinsky's Seminarium (1917–1926) at the Tsvetkov gallery in Moscow became one of the first experimental and most influential venues to develop approaches to the perception of art in Soviet Russia. In it, Bakushinsky, an art critic and the head of the Physical-Psychological Department...
| Publicado en: | Studies in East European Thought Vol. 75; no. 2; pp. 303 - 322 |
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| Formato: | Artículo |
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Springer Nature
Jun2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=163870055&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 163870055 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09259392 GGL jtl: Studies in East European Thought issn: 09259392 maglogo: N pubinfo: dt: Jun2023 vid: 75 iid: 2 pid: 237 pub: Springer Nature artinfo: ui: 163870055 10.1007/s11212-021-09439-w ppf: 303 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 599KB tig: atl: Anatoly Bakushinsky's projects in art studies and knowledge production at the State Academy of Artistic Sciences. aug: au: Silina, Maria affil: Université du Québec à Montréal, Montreal, Canada Research Institute for Theory and History of Visual Arts of the Russian Academy of Arts, Moscow, Russia su: Art history Art appreciation Art critics Aesthetics History of the Soviet Union Moscow (Russia) Russia sug: subj: Moscow (Russia) Russia Art history Art appreciation Art critics Aesthetics History of the Soviet Union keyword: Art studies History of humanities Institutional history Museums Soviet history ab: The Anatoly Bakushinsky's Seminarium (1917–1926) at the Tsvetkov gallery in Moscow became one of the first experimental and most influential venues to develop approaches to the perception of art in Soviet Russia. In it, Bakushinsky, an art critic and the head of the Physical-Psychological Department of the State Academy of Artistic Sciences (GAKhN), incorporated the practice of formal art history into a methodology based on materialism, psychology, and experimental aesthetics widely practiced at the GAKhN. Today, this combination of approaches is perceived as an isolated historical example of an outmoded eclecticism. I argue, however, that Bakushinsky's methodology should be studied in the context of the complex institutional structure of the Academy that was designed to ensure multidisciplinary work in art studies and its almost immediate implementation into art practice. This institutional and material nexus of the GAKhN's history opens up a new direction in studying the intellectual legacy of Soviet humanities of the 1920s, which is otherwise often reduced to biographical narratives. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Studies in East European Thought is a copyright of Springer, 2023. All Rights Reserved. item: Studies in East European Thought holder: Springer Nature dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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