Verosimiglianza storica vs memoria creativa in El prodigioso príncipe transilvano.

In the Spanish theatre of the Golden Age, political propaganda and the consequent need to propose heroes conforming to the prevailing political-religious ideology to the public of corrales de comedia were almost always conditioning the creative process. This is also the case of El prodigioso príncip...

Descripción completa

Detalles Bibliográficos
Publicado en:Caietele Echinox Vol. 44; pp. 45 - 61
Autor principal: Cappelli, Federica
Formato: Artículo
Publicado: Echinox Cultural Foundation 2023
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=163900730&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 163900730
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        1582960X
        90EZ
      jtl: Caietele Echinox
      issn: 1582960X
      maglogo: N
    pubinfo:
      dt: 2023
      vid: 44
      pid: 52779
      pub: Echinox Cultural Foundation
    artinfo:
      ui:
        163900730
        10.24193/cechinox.2023.44.03
      ppf: 45
      ppct: 16
      formats:
        fmt:
          @attributes:
            type: P
            size: 1.8MB
      tig:
        atl: Verosimiglianza storica vs memoria creativa in El prodigioso príncipe transilvano.
      aug:
        au: Cappelli, Federica
        affil: Università di Pisa, Italia
      sug:
      keyword:
        Creative Memory
        Historical Verisimilitude
        Manipulation
        Muhammad III
        Political Propaganda
        Sigismund Báthory
        Transylvania
        Creative Memory
        Historical Verisimilitude
        Manipulation
        Muhammad III
        Political Propaganda
        Sigismund Báthory
        Transylvania
      ab: In the Spanish theatre of the Golden Age, political propaganda and the consequent need to propose heroes conforming to the prevailing political-religious ideology to the public of corrales de comedia were almost always conditioning the creative process. This is also the case of El prodigioso príncipe transilvano, a historical comedy set at the time of the long Spanish-Turkish conflict (1526-1606) and dedicated to exalting the figure of Sigismund Báthory, in truth one of the most controversial figures in the history of Romanian principalities. This contribution aims at investigating the extent and mechanisms that, in the text, regulate this intersection of historical reliability and creative reworking of a recent past for pro-Spanish and procatholic propaganda purposes.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Italian
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Caietele Echinox is the property of Echinox Cultural Foundation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Caietele Echinox
      holder: Echinox Cultural Foundation
      dt:
        @attributes:
          year: 2023
    holdings:
      @attributes:
        islocal: N