Illusory Space in Exemplo 11 of Conde Lucanor.
Magic and necromancy play an essential dramatic role in exemplo 11 of Don Juan Manuel's celebrated Conde Lucanor. Within magic, scholars have mostly focused on the role that tiempo mágico or magical time plays in the dramatic economy of the story, overlooking the equally important aspect of space wi...
| Publicado en: | Hispanic Review Vol. 91; no. 1; pp. 47 - 69 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Winter2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=163963979&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 163963979 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Winter2023 vid: 91 iid: 1 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 163963979 10.1353/hir.2023.0002 ppf: 47 ppct: 22 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.3MB tig: atl: Illusory Space in Exemplo 11 of Conde Lucanor. aug: au: González, Luis F. López affil: Vanderbilt University su: Magic Imagination Mythology Ames, Fisher, 1758-1808 Magicians sug: subj: Magic Imagination Mythology Ames, Fisher, 1758-1808 Magicians keyword: Conde Lucanor Don Yllán Illusion Juan Manuel Luis F. López González Magical Space Necromancy Time ab: Magic and necromancy play an essential dramatic role in exemplo 11 of Don Juan Manuel's celebrated Conde Lucanor. Within magic, scholars have mostly focused on the role that tiempo mágico or magical time plays in the dramatic economy of the story, overlooking the equally important aspect of space within the magical illusion. The representation of space is vague, imprecise, and often contradictory. This study looks at the spaces that divide the real world from the illusory world, arguing that the underground spaces, which Manueline scholarship has accepted as factual, exist only in the Dean of Santiago's imagination. The magical subterranean loci, this paper concludes, are employed to evoke the local myths of Hercules's cave and the traditional stories about a family of Ylláns who allegedly practiced necromancy in Toledo, not to represent them as real. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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