The Ottomans Conquer Latin America: The Rise of Turkish Melodramas.
This article explores the Turkish telenovela phenomenon that has swept Latin America since 2014 and, more recently, the Hispanic media market in the US. Drawing on media scholar Marwan Kraidy's concept of hybridity, the article examines the processes and conditions that created fertile ground for th...
| Publicado en: | Hispanic Review Vol. 91; no. 2; pp. 221 - 246 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Spring2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=163963992&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 163963992 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Spring2023 vid: 91 iid: 2 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 163963992 10.1353/hir.2023.0016 ppf: 221 ppct: 25 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.3MB tig: atl: The Ottomans Conquer Latin America: The Rise of Turkish Melodramas. aug: au: Trauger, Mirna affil: Muhlenberg College su: Melodrama Kraidy, Marwan Cross-cultural studies Telenovelas Pollination sug: subj: Melodrama Kraidy, Marwan Cross-cultural studies Telenovelas Pollination keyword: Cross-Cultural Media Exchanges Dizi Gender Violence Hybridity Mirna Trauger Rape Telenovela Turkey ab: This article explores the Turkish telenovela phenomenon that has swept Latin America since 2014 and, more recently, the Hispanic media market in the US. Drawing on media scholar Marwan Kraidy's concept of hybridity, the article examines the processes and conditions that created fertile ground for the enthusiastic reception of dizis , the name by which these series are known in Turkey. The article briefly examines the cross-pollination that is taking place between the Turkish dizi , an already hybrid genre, and the Latin American telenovela. It suggests that these cross-cultural exchanges are fueling a renewal of the Latin American telenovela after years of decline. The article's analysis of the internationally successful melodrama ¿Qué culpa tiene Fatmagul? provides an in-depth example for the discussion. The paper explores the reasons why this telenovela in particular has resonated strongly with audiences all around Latin America. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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