Literary Forgery and Écriture Féminine in Lee Israel's Can You Ever Forgive Me?
The article analyzes Lee Israel's autobiographical memoir "Can You Ever Forgive Me?" and its film adaptation of the same title to argue that the American author's acts of literary forgery may be attempts at imagining a new form of female canon and authorship. It explains how her preference to produc...
| Publicado en: | Women's Studies Vol. 52; no. 4; pp. 406 - 418 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Jun2023
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164054425&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164054425 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00497878 WSS jtl: Women's Studies issn: 00497878 maglogo: Y pubinfo: dt: Jun2023 vid: 52 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 164054425 10.1080/00497878.2023.2177854 ppf: 406 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 277KB tig: atl: Literary Forgery and Écriture Féminine in Lee Israel's Can You Ever Forgive Me? aug: au: Öz, Özge affil: İstanbul Bilgi University, Istanbul su: Can You Ever Forgive Me? Memoirs of a Literary Forger (Book) Can You Ever Forgive Me? (Film) Israel, Lee, 1939-2014 Literary forgeries & mystifications Authorship Memoirs Film adaptations American women authors sug: subj: Can You Ever Forgive Me? Memoirs of a Literary Forger (Book) Can You Ever Forgive Me? (Film) Israel, Lee, 1939-2014 Literary forgeries & mystifications Authorship Memoirs Film adaptations American women authors ab: The article analyzes Lee Israel's autobiographical memoir "Can You Ever Forgive Me?" and its film adaptation of the same title to argue that the American author's acts of literary forgery may be attempts at imagining a new form of female canon and authorship. It explains how her preference to produce her work in the form of literary forgery constitutes a brave new form ofécriture féminine outside the boundaries of the anxiety of influence and the symbological authority of authorship. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Women's Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Women's Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
|---|