Under suspicion: library music and the Musicians' Union in Britain, 1960–1978.
Drawing primarily from unpublished archival data, this article reconstructs the Musicians' Union long embargo on library recording in Britain (1965–1978), retracing the immediate as well as long-lasting implications of the ban for the shaping of library music practices and discourses. The article de...
| Publicado en: | Popular Music Vol. 42; no. 1; pp. 1 - 20 |
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| Formato: | Artículo |
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Cambridge University Press
Feb2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164149033&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164149033 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02611430 PMU jtl: Popular Music issn: 02611430 maglogo: N pubinfo: dt: Feb2023 vid: 42 iid: 1 pid: 15979 pub: Cambridge University Press artinfo: ui: 164149033 10.1017/S0261143023000053 ppf: 1 ppct: 19 formats: tig: atl: Under suspicion: library music and the Musicians' Union in Britain, 1960–1978. aug: au: Roy, Elodie A. affil: Northumbria University, Faculty of Arts Design and Social Sciences, Newcastle upon Tyne NE1 8ST, UK su: Production music Musicians Music publishers Dance music Empirical research sug: subj: Production music Musicians Music publishers Dance music Empirical research ab: Drawing primarily from unpublished archival data, this article reconstructs the Musicians' Union long embargo on library recording in Britain (1965–1978), retracing the immediate as well as long-lasting implications of the ban for the shaping of library music practices and discourses. The article demonstrates how crucial relations with the Union were in shaping the nascent library music industry as well as the working lives of the many individuals and groups involved in it, including London-based session musicians and music publishers. More theoretically, the article argues for a horizontal, ecological approach to library music culture, acknowledging its many intermediaries and prompting us to consider (musical) history in its unfinishedness, heterogeneity and ambiguity. The methodological challenges of researching ephemeral or 'secondary' music are also highlighted. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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