Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress' the Hive.
The paper introduces the concept of musicking assemblages to account for the agency of non-human actants in a project by contemporary artist, Wolfgang Buttress, that involved creating a musical soundscape together with bees. Collapsing distinctions between popular music, contemporary art and scienti...
| Publicado en: | Popular Music Vol. 42; no. 1; pp. 42 - 59 |
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| Formato: | Artículo |
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Cambridge University Press
Feb2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164149034&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164149034 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02611430 PMU jtl: Popular Music issn: 02611430 maglogo: N pubinfo: dt: Feb2023 vid: 42 iid: 1 pid: 15979 pub: Cambridge University Press artinfo: ui: 164149034 10.1017/S0261143023000089 ppf: 42 ppct: 17 formats: tig: atl: Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress' the Hive. aug: au: Szarecki, Artur affil: Nicolaus Copernicus University in Toruń, Faculty of Humanities, Institute of Culture Studies, Fosa Staromiejska 3, 87-100 Toruń, Poland su: Production music Musicians Music publishers Dance music Empirical research sug: subj: Production music Musicians Music publishers Dance music Empirical research ab: The paper introduces the concept of musicking assemblages to account for the agency of non-human actants in a project by contemporary artist, Wolfgang Buttress, that involved creating a musical soundscape together with bees. Collapsing distinctions between popular music, contemporary art and scientific research, the project exhibits musicking not as a result of human action but as emerging from intensive flows of matter-energy circulating between a multiplicity of actants, both human and non-human. Consequently, it presupposes a materialist ontology that breaks with anthropocentric hierarchies and encourages us to rethink popular music as always already involving 'becoming with' non-human others, in a way that overcomes the division between culture and nature, as well as its epistemological corollaries. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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