Lines Left to Cross: Deglobalization and the Domestic Western in Bong Joon-ho's Parasite.
This article situates Bong Joon-ho's Parasite (2019) within the historical logics of the Washington Consensus. In this broad context, we might think of the film's much-heralded class critique as not quite so domestically contained as may initially appear in a film staged primarily in the confines of...
| Publicado en: | Critical Inquiry Vol. 49; no. 4; pp. 557 - 581 |
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| Formato: | Artículo |
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University of Chicago Press
Summer2023
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| Acceso en línea: | Ver este registro en EBSCOhost |