The Dance of Barthes.
Nathalie Léger returns to Barthes's Fragments d'un discours amoureux to highlight its continuing appeal. But can it be pinned down? Should the attempt even be made? Léger draws on a life-time of engagement with Barthes to its range of invitations in this book to think through experience and re-conne...
| Publicado en: | CounterText Vol. 9; no. 1; pp. 178 - 185 |
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| Formato: | Artículo |
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Edinburgh University Press
Apr2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164706879&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164706879 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20564406 JRXS jtl: CounterText issn: 20564406 maglogo: N pubinfo: dt: Apr2023 vid: 9 iid: 1 pid: 2327 pub: Edinburgh University Press artinfo: ui: 164706879 10.3366/count.2023.0299 ppf: 178 ppct: 7 formats: fmt: – @attributes: type: T – @attributes: type: P size: 42KB tig: atl: The Dance of Barthes. aug: au: Léger, Nathalie su: Trust Romantic love Affect (Psychology) Ballet dancing sug: subj: Trust Romantic love Affect (Psychology) Ballet dancing ab: Nathalie Léger returns to Barthes's Fragments d'un discours amoureux to highlight its continuing appeal. But can it be pinned down? Should the attempt even be made? Léger draws on a life-time of engagement with Barthes to its range of invitations in this book to think through experience and re-connect with the discourse of love. The story of these engagements begins with ones that no longer seem purposeful – the concern with classification and system; before trusting in experience again, including experiencing the manipulations of romance narratives and the search for bite-size 'truths'. Written in allusive fragments or affective propositions of its own, the piece presents Fragments d'un discours amoureux biographically, autobiographically, speculatively, pleasurably: it's an invitation to dance in a rhetorical ballet of attachments full of movement and pauses, and the distances between words and people needed to breathe the air of understanding. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of CounterText is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: CounterText holder: Edinburgh University Press dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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