Contingent Systems Art and/as Algorithmic Critique.
The article presents the discussion on critical intersections between creative practice and algorithmic culture. Topics include coupling of facial recognition technologies with machine learning being automating and expanding the efficacy of surveillance tactics; and gap in research and the need to f...
| Publicado en: | Afterimage Vol. 50; no. 2; pp. 1 - 24 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
University of California Press
Jun2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164820983&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164820983 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007472 ATF jtl: Afterimage issn: 03007472 maglogo: N pubinfo: dt: Jun2023 vid: 50 iid: 2 pid: 414 pub: University of California Press artinfo: ui: 164820983 10.1525/aft.2023.50.2.1 ppf: 1 ppct: 23 formats: fmt: @attributes: type: P size: 1.9MB tig: atl: Contingent Systems Art and/as Algorithmic Critique. aug: au: SCARLETT, ASHLEY LIPTON, LISA affil: Assistant professor in the School of Critical and Creative Studies at the Alberta University of the Arts (Canada). Assistant professor in Sculpture at Alberta University of the Arts (Canada). su: Automatic differentiation Face perception Machine learning Surveillance detection Resistance (Philosophy) sug: subj: Automatic differentiation Face perception Machine learning Surveillance detection Resistance (Philosophy) ab: The article presents the discussion on critical intersections between creative practice and algorithmic culture. Topics include coupling of facial recognition technologies with machine learning being automating and expanding the efficacy of surveillance tactics; and gap in research and the need to further develop methods for algorithmic critique and possible resistance serves as the point of departure. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Afterimage is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Afterimage holder: University of California Press dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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