Late nineteenth-century popular printed poetry in Chile and its contribution to a radical cultural theory.
The subject of this study is Lira Popular in Chile, printed and distributed between 1866 and 1930. It was a publication halfway between literature and journalism, constituting a differentiated and autonomous communicational practice that can be considered a primary source through which to know the w...
| Publicado en: | Journal of Iberian & Latin American Studies Vol. 29; no. 2; pp. 181 - 201 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164943271&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164943271 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14701847 55M jtl: Journal of Iberian & Latin American Studies issn: 14701847 maglogo: N pubinfo: dt: Aug2023 vid: 29 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 164943271 10.1080/14701847.2023.2221107 ppf: 181 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.5MB tig: atl: Late nineteenth-century popular printed poetry in Chile and its contribution to a radical cultural theory. aug: au: Sáez, Chiara Vera, Antonieta affil: Facultad de Comunicación e Imagen, Universidad de Chile, Santiago, Chile Facultad de Filosofía y Humanidades, Universidad de Chile, Santiago, Chile su: Poetry (Literary form) Nineteenth century Popular culture Content analysis Chile sug: subj: Chile Poetry (Literary form) Nineteenth century Popular culture Content analysis keyword: popular poetry printed booklets XIX century ab: The subject of this study is Lira Popular in Chile, printed and distributed between 1866 and 1930. It was a publication halfway between literature and journalism, constituting a differentiated and autonomous communicational practice that can be considered a primary source through which to know the world visions and representations of the popular sectors in Chile at the turn of the century, beyond distinction worker – massive. The majority research in this area is one-dimensional studies conducted in response to questions the researchers themselves have prioritized. Instead, the question driving this study is: how to access the content of popular printed poetry in a way in which subjects, topics, and the inherent hierarchical relationships emerge from the very own sources? Through a content analysis, the main finding is an internal consistency on concerns and topics in the works of different poets, showing persons of popular origins acting and thinking politically, both within and outside the modern enlightenment, used as a guide to the concept of absent popular culture. The conclusions aim to the manner in which these findings can contribute to a theory popular culture and their subjects in the context of modern Latin America pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Iberian & Latin American Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Iberian & Latin American Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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