Ta, ta, ta, que los gallos no cantan: música i intertextualitat en contrafacta austriacistes durant la guerra de Successió.
The War of the Spanish Succession was a military conflict, but also a propagandistic one. Between writing and orality, one of the most effective forms of propagation of political messages were the contrafacta, texts designed to be sung with pre-existing melodies. These circulated printed on single-s...
| Publicado en: | Scripta Vol. 21; no. 21; pp. 55 - 83 |
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| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Scripta
jun2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=164955438&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 164955438 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23404841 GD46 jtl: Scripta issn: 23404841 maglogo: N pubinfo: dt: jun2023 vid: 21 iid: 21 pid: 89094 pub: Scripta artinfo: ui: 164955438 10.7203/scripta.21.26452 ppf: 55 ppct: 28 formats: fmt: @attributes: type: P size: 4.2MB tig: atl: Ta, ta, ta, que los gallos no cantan: música i intertextualitat en contrafacta austriacistes durant la guerra de Successió. aug: au: PLANAGUMÀ-CLARÀ, LAURA affil: Universidad Complutense de Madrid Instituto Complutense de Ciencias Musicales su: War Propaganda Pamphlets Musicals Recreation sug: subj: War Propaganda Pamphlets Musicals Recreation keyword: intertextuality musical recreation War of the Spanish Succession contrafactum guerra de Successió intertextualitat propaganda recreació musical ab: The War of the Spanish Succession was a military conflict, but also a propagandistic one. Between writing and orality, one of the most effective forms of propagation of political messages were the contrafacta, texts designed to be sung with pre-existing melodies. These circulated printed on single-sheet broadsides or small, book-like pamphlets, but only the texts were reproduced on these physical objects; the widely known tunes with which they were sung were not copied, but only the name was indicated by expressions such as «to the tune of». Although at the time these tune names evoked a whole sonic and conceptual context, today we have lost the referents. In this article, we study seven contrafacta that circulated between 1705 and around 1706, the height of Austrian propaganda. On the one hand, we study the possible intertextual processes involved in these contrafacta, implicit by their very nature as a product of literary and musical reuse. On the other hand, we tackle the musical recreation of these pieces that were intended to be sung. This will allow us to gain an in-depth knowledge of each of these songs, which reveals in detail some of the propaganda mechanisms adopted by Austriacists side in the conflict. La guerra de Successió va ser un conflicte bèl·lic però també propagandístic. Entre escriptura i oralitat, una de les formes de propagació més efectives de missatges polítics van ser els contrafacta, textos dissenyats per cantar-se amb melodies preexistents. Aquests circulaven en forma de fulls volanders o petits plecs, però en aquests objectes físics només s'hi reproduïen els textos; les tonades amb què es cantaven, àmpliament conegudes, no es copiaven sinó que només se n'indicava el nom amb expressions del tipus «al to de». Si bé en l'època aquests noms de tonades evocaven a tot un context sonor i conceptual, actualment n'hem perdut els referents. En aquest article estudiem set contrafacta que van circular entre 1705 i al voltant de 1706, període àlgid de la propaganda austriacista. Per una banda, estudiem els possibles processos intertextuals donats en aquests contrafacta, implícits per la seva pròpia naturalesa de producte resultant de la reutilització literària i musical. Per l'altra, afrontem la recreació musical d'aquests peces que havien estat pensades per ser cantades. Això ens permetrà obtenir un coneixement profund de cadascuna d'aquestes cançons, el que revela detalls dels mecanismes propagandístics adoptats pel bàndol austriacista del conflicte. pubtype: Academic Journal doctype: Article src: R language: Catalan refInfo: copyright: @attributes: flag: Y custom: Copyright of Scripta is the property of Scripta and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scripta holder: Scripta dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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