Structures Do March in the Streets: De Certeauian Tactics in Jorge Volpi's "Tetralogy of Power".

This article examines Jorge Volpi's "Tetralogy of Power" (En busca de Klingsor, El fin de la locura, Tiempo de cenizas, and Memorial del engaño) alongside Michel de Certeau's thought--especially The Practice of Everyday Life (1980). Volpi's narrative includes a significant number of themes and plotl...

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Publicado en:Revista de Estudios Hispánicos Vol. 57; no. 1; pp. 51 - 75
Autor principal: ANZZOLIN, KEVIN
Formato: Artículo
Publicado: Washington University mar2023
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Structures Do March in the Streets: De Certeauian Tactics in Jorge Volpi's "Tetralogy of Power".
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        au: ANZZOLIN, KEVIN
        affil: CHRISTOPHER NEWPORT UNIVERSITY
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        Certeau, Michel de, 1925-1986
        Philosophy
        Publishing
        Meditation
        Politicians
        Everyday life
        Meditations
        Poststructuralism
        Subjectivity
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          Certeau, Michel de, 1925-1986
          Philosophy
          Publishing
          Meditation
          Politicians
          Everyday life
          Meditations
          Poststructuralism
          Subjectivity
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        el posestructuralismo
        Jorge Volpi
        la política
        México
        Mexico
        Michel de Certeau
        politics
        poststructuralism
        el posestructuralismo
        la política
        México
      ab: This article examines Jorge Volpi's "Tetralogy of Power" (En busca de Klingsor, El fin de la locura, Tiempo de cenizas, and Memorial del engaño) alongside Michel de Certeau's thought--especially The Practice of Everyday Life (1980). Volpi's narrative includes a significant number of themes and plotlines consonant with De Certeau's philosophical meditations. Volpi likely cultivates his works' affinities with De Certeau's hallmark concepts of "strategy," "tactics," and "making do" as part of a larger literary project already defined by Ignacio Sánchez Prado as "strategic Occidentalism" (2018). While most scholarly interventions attempt to interpret only one of the tetralogy's novels or treat Volpi's series as a trilogy, this article pinpoints two overarching commonalities in the texts: tactical walking and artistic consumption. The article also ties together gaps in criticism surrounding Volpi's series and clarifies its philosophical, political, and marketplace meaning. Ultimately, Volpi's tetralogy proposes that micropolitical, commonplace practices--whether walking, consuming, or reading--may produce a heterogeneity of voices in terms of politics and literature. Like De Certeau, Volpi optimistically asserts a tenacious, hopeful, and agentive subjectivity that makes small interventions to undo the doxa of politicians and publishing houses.
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