Transmatriation? Avishag the Shunammite in Three Contemporary Israeli Novels.

While numerous postbiblical authors consider the major figures in the Davidic dynasty, others have turned their attention to the more peripheral characters in the David cycle. The three Israeli novels discussed in this article--Yael Lotan's Avishag (2002), Avraham Burg's Avishag (2011), and Eva Etzi...

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Publicado en:Shofar: An Interdisciplinary Journal of Jewish Studies Vol. 41; no. 1; pp. 77 - 103
Autor principal: Koplowitz-Breier, Anat
Formato: Artículo
Publicado: Purdue University Press Spring2023
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Acceso en línea:Ver este registro en EBSCOhost
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        10.1353/sho.2023.a903282
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        atl: Transmatriation? Avishag the Shunammite in Three Contemporary Israeli Novels.
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        au: Koplowitz-Breier, Anat
        affil: Senior lecturer at the Comparative Literature Department at Bar-Ilan University in Ramat-Gan, Israel
      su:
        Bible
        David, King of Israel, ca. 1040-970 B.C.
        Romance fiction
        Spies
        Biblical figures
        Political fiction
        English language
        21st century (Literary period)
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          Bible
          David, King of Israel, ca. 1040-970 B.C.
          Romance fiction
          Spies
          Biblical figures
          Political fiction
          English language
          21st century (Literary period)
      keyword:
        Avishag the Shunammite
        biblical retelling
        contemporary Israeli novels
        political novels
        romance novels
        transculturalism
      ab: While numerous postbiblical authors consider the major figures in the Davidic dynasty, others have turned their attention to the more peripheral characters in the David cycle. The three Israeli novels discussed in this article--Yael Lotan's Avishag (2002), Avraham Burg's Avishag (2011), and Eva Etzioni-Halevy's But the King Did Not Know Her (2014)--focus on Avishag the Shunammite. Although all draw on the same biblical text, each develops it in a particular direction. Lotan's Avishag embodies both political and feminist features, developing from a young maiden into a royal secret agent. Burg's reading is a political one: he remains loyal to the patriarchal point of view by choosing a male narrator; hence his Avishag is still a relatively minor character. Etzioni-Halevy's novel falls into the category of feminist historical/biblical romance. Her protagonist, Avishag, positioned as a romance heroine, develops from a passive maiden into a mature woman who seeks to determine her own fate. Moreover, since Avishag's character in the biblical narrative is mentioned in the middle of the inheritance struggle between David's sons Adonijah and Solomon, each of the novelists uses it as a springboard for rereading the Davidian story through a different prism. By choosing different narrators, different languages (English, pseudo-biblical Hebrew, and contemporary Hebrew), and slightly different genres, each of the authors adapts the biblical story to enhance a different reading of the Bible, making the ancient story accessible and fresh to contemporary readers as an "old vessel filled with new wine."
      pubtype: Academic Journal
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    language: English
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