Domestic Touchpoints Between British and Chinese Women's Art.
Domesticity in women's art has been explored in a number of recently emerging writings and artistic projects. In this article, we focus on three British and Chinese women artists' work: Jemima Brown's Our Lady of Perpetual Distraction , Tao Aimin's Women's River , and Gao Rong's Guangzhou Station—Th...
| Publicado en: | Frontiers: A Journal of Women Studies Vol. 44; no. 2; pp. 53 - 70 |
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| Autores principales: | , |
| Formato: | Artículo |
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University of Nebraska Press
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=165471367&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 165471367 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01609009 FON jtl: Frontiers: A Journal of Women Studies issn: 01609009 maglogo: N pubinfo: dt: 2023 vid: 44 iid: 2 pid: 758 pub: University of Nebraska Press artinfo: ui: 165471367 10.1353/fro.2023.a902526 ppf: 53 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.4MB tig: atl: Domestic Touchpoints Between British and Chinese Women's Art. aug: au: Yang, Virginia Yiqing Evans, Adrienne su: Chinese people Women artists Binary gender system Women's writings Distraction Guangzhou (China) sug: subj: Guangzhou (China) Chinese people Women artists Binary gender system Women's writings Distraction keyword: domesticity entanglement of matter Gao Rong Jemima Brown Tao Aimin temporal inequality transculturality ab: Domesticity in women's art has been explored in a number of recently emerging writings and artistic projects. In this article, we focus on three British and Chinese women artists' work: Jemima Brown's Our Lady of Perpetual Distraction , Tao Aimin's Women's River , and Gao Rong's Guangzhou Station—Things in the Bag , with analysis that explores overlaps between them as part of a transcultural condition. These overlaps are defined as "touchpoints", as a way to capture transient, fluid or intra-secting moments where ideas within artworks meet. We pay attention to gender division/inequality that is informed by a new materialist and phenomenological feminist methodology. This article facilitates an in-depth analysis of women's art from a transcultural understanding and challenges the current sociocultural binaries inherent in gender relations. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Frontiers: A Journal of Women Studies is the property of University of Nebraska Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Frontiers: A Journal of Women Studies holder: University of Nebraska Press dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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