The concept of experience in the work of Jesús Martín-Barbero: toward a positive theory of the popular.

This article aims to review the concept of experience, linked to the popular, proposed by Jesús Martín-Barbero. The author's production is inscribed in the intersection between philosophy, cultural studies, and mass media. From the deductive method, we delve into the development of a theoretical jou...

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Publicado en:Cultural Studies Vol. 37; no. 5; pp. 754 - 772
Autores principales: Alvarado Castro, Iván, del Pino Díaz, David
Formato: Artículo
Publicado: Taylor & Francis Ltd Sep2023
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au:
          Alvarado Castro, Iván
          del Pino Díaz, David
        affil:
          Department of Social and Cultural Anthropology, Autonomous University, Madrid, Spain
          Department Section of Applied Sociology, Information Science, Complutense University, Madrid, Spain
      su:
        Martin-Barbero, Jesus
        Cultural studies
        Mass media
        Philosophy
        Frankfurt school of sociology
        Popular culture
        Cultural industries
      sug:
        subj:
          Martin-Barbero, Jesus
          Cultural studies
          Mass media
          Philosophy
          Frankfurt school of sociology
          Popular culture
          Cultural industries
      keyword:
        anthropology
        culture
        Experience
        hegemony
        popular
        sensorium
      ab: This article aims to review the concept of experience, linked to the popular, proposed by Jesús Martín-Barbero. The author's production is inscribed in the intersection between philosophy, cultural studies, and mass media. From the deductive method, we delve into the development of a theoretical journey that dialogues from the Frankfurt School and British Cultural Studies to contemporary French sociology. In the conclusions, we highlight the relational aspects of experience and its possibilities for generating changes in culture. The work of Jesús Martín-Barbero is a starting point for thinking about ourselves from the present that, nevertheless, opens a pertinent discussion: what are the limits in the experiences of popular cultures to imagine emancipation.
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    language: English
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