Where radio dare not tread: Podcasts as queer audio media.
Even given its focus on narrowly defined audiences, contemporary radio in the United States is commercial, and thus dependent upon a consumer goods sector that is market-driven, risk-averse and fearful of recrimination by those opposed to homosexuality or non-binary genders and government regulators...
| Publicado en: | Radio Journal: International Studies in Broadcast & Audio Media Vol. 21; no. 1; pp. 67 - 82 |
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| Formato: | Artículo |
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Intellect Ltd.
Apr2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=166739668&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 166739668 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 14764504 L2N jtl: Radio Journal: International Studies in Broadcast & Audio Media issn: 14764504 maglogo: N pubinfo: dt: Apr2023 vid: 21 iid: 1 pid: 12270 pub: Intellect Ltd. artinfo: ui: 166739668 10.1386/rjao_00073_1 ppf: 67 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 725KB tig: atl: Where radio dare not tread: Podcasts as queer audio media. aug: au: Drushel, Bruce affil: Miami University su: United States Queer theory Nonbinary people Consumer goods Adults Podcasting Disc jockeys Radio audiences sug: subj: Queer theory Nonbinary people Consumer goods Adults United States All Other Consumer Goods Rental Independent Artists, Writers, and Performers Independent actors, comedians and performers Internet Publishing and Broadcasting and Web Search Portals Podcasting Disc jockeys Radio audiences keyword: audiolog disc jockey gender homosexual LGBTQ+ NPR OutQ audiolog disc jockey gender homosexual LGBTQ+ NPR OutQ ab: Even given its focus on narrowly defined audiences, contemporary radio in the United States is commercial, and thus dependent upon a consumer goods sector that is market-driven, risk-averse and fearful of recrimination by those opposed to homosexuality or non-binary genders and government regulators. Queer listeners, unlike their straight counterparts, found in radio not mentors to guide them through adolescence and into adulthood, but the ultimately doomed task of attempting to conform to standards and rituals that did not fit them or to alternative readings of the texts found in radio's music lyrics, disc jockey patter and commercials that constructed a world that were a better fit. In this article, I examine a varied and representative collection of podcasts and argue that the medium is uniquely positioned to deliver to queer audiences what conventional commercial radio was unwilling or unable to. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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