Uncovering Heroines: Some Theatrical Perspectives on the French Revolution.

The celebration of the Bicentennial of the French Revolution in Paris provided a setting for the theatrical introduction of patriotic heroines whose very existence had been virtually ignored for nearly two hundred years. In three plays: Monick Lepeu's Elles étaient citoyennes (They Were Citizens), M...

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Publicado en:Contemporary Theatre Review Vol. 2; no. 3; pp. 17 - 31
Autor principal: Lamar, Celita
Formato: Artículo
Publicado: Taylor & Francis Ltd 1995
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Lamar, Celita
      su:
        Women heroes in art
        French revolutionary literature
        Women heroes
        Arts facilities
        Drama
        Performing arts
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          Women heroes in art
          French revolutionary literature
          Women heroes
          Arts facilities
          Drama
          Performing arts
      keyword:
        Claire (Rose) Lacombe
        feminism and theatre
        Heroines of the French revolution
        Manon Roland
        Olympe de Gouges
        Théroigne de Méricourt
      ab: The celebration of the Bicentennial of the French Revolution in Paris provided a setting for the theatrical introduction of patriotic heroines whose very existence had been virtually ignored for nearly two hundred years. In three plays: Monick Lepeu's Elles étaient citoyennes (They Were Citizens), Marianik Réveillon's Théroigne de Méricourt, I'Amazone de la Révolution, (Théroigne de Méricourt, the Amazon of the Revolution) and Michèle Fabien's Des Françaises (Frenchwomen), historical figures such as Olympe de Gouges, Manon Roland, Théroigne de Méricourt and Claire Lacombes look back on their participation in the struggle to create a new Republic. This article discusses the plays and focuses on how each of these women, in her own way, comes to the realization that, ultimately, her identity as a woman overrode every other consideration of her merits and that, ironically, her brave deeds, inspiring words and vision of equality had only succeeded in bringing about a humiliating defeat for all women.
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    language: English
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      custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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