The Island as the space of multivocal encounter: multiple discourses în Shakespeare's The tempest.
This essay applies discourse theory and geocriticism to Shakespeare's The Tempest in order to show the ways in which the island space is inscribed in the play's theatrical spatial imagination as an enclosed area engendering multi-discursive meanings. The space of the stage is the site of encounter f...
| Publicado en: | Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură Vol. 1; pp. 126 - 138 |
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| Formato: | Artículo |
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Comunicare Interculturala si Literatura
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=167355705&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 167355705 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18446965 GRFF jtl: Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură issn: 18446965 maglogo: N pubinfo: dt: 2022 vid: 1 pid: 91251 pub: Comunicare Interculturala si Literatura artinfo: ui: 167355705 ppf: 126 ppct: 12 formats: fmt: @attributes: type: P size: 6.1MB tig: atl: The Island as the space of multivocal encounter: multiple discourses în Shakespeare's The tempest. aug: au: Matei, Adela affil: Facultatea de Litere, Universitatea „Ovidius" din Constanţa su: Shakespeare, William, 1564-1616 Tempest, The (Play : Shakespeare) Film adaptations Sedimentation & deposition Islands Discourse Manga (Art) Video games sug: subj: Shakespeare, William, 1564-1616 Tempest, The (Play : Shakespeare) Film adaptations Sedimentation & deposition Islands Discourse Manga (Art) Video games keyword: „The Tempest" discourse theory geocriticism island space Shakespeare ab: This essay applies discourse theory and geocriticism to Shakespeare's The Tempest in order to show the ways in which the island space is inscribed in the play's theatrical spatial imagination as an enclosed area engendering multi-discursive meanings. The space of the stage is the site of encounter for multiple dramatic voices and identities, each of them with their own discursive structure and motivational parameters. This multivocal encounter among cultures and allusions to other spaces has contributed to the play's success in production throughout the centuries, as it has been translated in several languages, produced in many directorial interpretations, and adapted in novels, poetry, movies, manga, videogames, etc. I argue that the play's multivocal aspect--as manifested in the island space of the theatre--is the result of the sedimentary process that has allowed each character to speak with his/her own voice throughout the ages, while at the same time borrowing various voices and languages from the surrounding culture and the time in which it has been produced or adapted. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură is the property of Comunicare Interculturala si Literatura and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Communication Interculturelle et Littérature / Comunicare Interculturală şi Literatură holder: Comunicare Interculturala si Literatura dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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