Change-Point Analysis: Elision in Euripides' Orestes.

This paper studies the problem of detecting multiple changes at unknown times in the mean level of elision in the trimeter sequences of the Orestes, a play written by the Ancient Greek dramatist Euripides (485–406 B.C.). Change-detection statistics proposed by MacNeill (1978) and Jandhayala and MacN...

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Publicado en:Computers & the Humanities Vol. 35; no. 2; pp. 167 - 192
Autores principales: De Gooijer, Jan G., Laan, Nancy M.
Formato: Artículo
Publicado: Springer Nature May2001
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Change-Point Analysis: Elision in Euripides' Orestes.
      aug:
        au:
          De Gooijer, Jan G.
          Laan, Nancy M.
        affil:
          Department of Economic Statistics, University of Amsterdam, Roetersstraat 11, 1018 WB Amsterdam, The Netherlands
          Netherlands Organization for Scientific Research (NWO)/Department of Classics, University of Amsterdam, The Netherlands
      su:
        Iambic trimeter
        Linguistic analysis
        Versification
        Language & languages
        Communication
        Linguistics
      sug:
        subj:
          Iambic trimeter
          Linguistic analysis
          Versification
          Language & languages
          Communication
          Linguistics
      keyword:
        autocorrelation
        dramatic function
        mean level change
        multiple change-points
        resolution
      ab: This paper studies the problem of detecting multiple changes at unknown times in the mean level of elision in the trimeter sequences of the Orestes, a play written by the Ancient Greek dramatist Euripides (485–406 B.C.). Change-detection statistics proposed by MacNeill (1978) and Jandhayala and MacNeill (1991) are adopted for this purpose. Analysis of the trimeter sequences yields several points of change. A general explanation for their occurrence appears to be that Euripides varies his use of elision according to the emotional content of his text, i.e., he seems to change the form to support the content and, thus, seems to use elision frequency as a dramatic instrument.
      pubtype: Academic Journal
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    language: English
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