WRITING (ON) BODIES: LYRIC DISCOURSE AND THE PRODUCTION OF GENDER IN HORACE ODES 1.13.
Discusses the lyric discourse and the production of gender in "Odes" 1.13, where Horace combines aspects of reading, writing, and bodily production to explore not just the metaphorical possibilities of the body in literature but also its larger role within literary discourse. Link of the ode’s treat...
| Publicado en: | Classical Philology Vol. 100; no. 1; pp. 52 - 83 |
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| Formato: | Artículo |
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University of Chicago Press
Jan2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=16915968&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 16915968 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0009837X CPL jtl: Classical Philology issn: 0009837X maglogo: N pubinfo: dt: Jan2005 vid: 100 iid: 1 pid: 415 pub: University of Chicago Press artinfo: ui: 16915968 10.1086/431430 ppf: 52 ppct: 31 formats: fmt: @attributes: type: P size: 169KB tig: atl: WRITING (ON) BODIES: LYRIC DISCOURSE AND THE PRODUCTION OF GENDER IN HORACE ODES 1.13. aug: au: Sutherland, Eizabeth H. affil: University of Tennessee su: Latin odes Lyric poetry Human body in literature Women in literature Human sexuality in literature Horace, 65 B.C.-8 B.C. Poetry (Literary form) sug: subj: Latin odes Lyric poetry Human body in literature Women in literature Human sexuality in literature Horace, 65 B.C.-8 B.C. Poetry (Literary form) ab: Discusses the lyric discourse and the production of gender in "Odes" 1.13, where Horace combines aspects of reading, writing, and bodily production to explore not just the metaphorical possibilities of the body in literature but also its larger role within literary discourse. Link of the ode’s treatment of bodies and Peter Brooks’ suggestion that the body alone is prelinguistic, even alien to language; Reading other men’s bodies as an important skill; Men's treatment of women’s bodies as texts, under different circumstances and with different motivations; Three different bodies that are both written upon and read in "Odes" 1.13; Bodies of Telephus, Lydia and Horace; Apparent awkward collision of literary potency and erotic failure; Criticisms of Horace’s amatory lyric for its speakers’ apparent lack of emotional engagement in their own erotic scenarios. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Classical Philology is the property of University of Chicago Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Classical Philology holder: University of Chicago Press dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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