Transmisión y reactivación del legado de Víctor Jara y la Unidad Popular en un festival político en Gales.
In this article, I analyze a Welsh festival inspired by Chilean artist Víctor Jara and the government of Popular Unity (1970–1973). Using the theory of cultural performance, and based on interviews with participants and observations of some activities carried out in the festival, I argue that the fe...
| Publicado en: | Studies in Latin American Popular Culture Vol. 41; pp. 1 - 21 |
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| Formato: | Artículo |
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University of Texas Press
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=169812683&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 169812683 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07309139 LPC jtl: Studies in Latin American Popular Culture issn: 07309139 maglogo: N pubinfo: dt: 2023 vid: 41 pid: 519 pub: University of Texas Press artinfo: ui: 169812683 10.7560/slapc4101 ppf: 1 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 953KB tig: atl: Transmisión y reactivación del legado de Víctor Jara y la Unidad Popular en un festival político en Gales. aug: au: Rivera-Volosky, Ignacio affil: King's College, University of London su: Jara, Víctor Unidad Popular Normativity (Ethics) Neoliberalism Progress sug: subj: Jara, Víctor Unidad Popular Normativity (Ethics) Neoliberalism Progress ab: In this article, I analyze a Welsh festival inspired by Chilean artist Víctor Jara and the government of Popular Unity (1970–1973). Using the theory of cultural performance, and based on interviews with participants and observations of some activities carried out in the festival, I argue that the festival is a space that simultaneously acts both to suspend and to create political normativity. On the one hand, the politics of the festival proposes a transgression of the political normativity and hegemony of neoliberalism in the United Kingdom and the West. On the other hand, the festival reinforces a political identity inspired by progressive, anti-neoliberal movements and governments in Latin America. These processes of subversion and reinforcement are mutually interconnected since the reinforcement of the political normativity of social progressist governments and movements in Latin America is constituted as a form of transgression of the neoliberal, conservative political agenda that is currently hegemonic in the contemporary British government and in some Latin American countries. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Studies in Latin American Popular Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studies in Latin American Popular Culture holder: University of Texas Press dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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