Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye's Sino-French Film Love and Bruises (2011).
This paper examines the transnational cityscapes of Paris and Beijing in the Sino-French urban-set film Love and Bruises directed by Lou Ye, one of the so-called Sixth Generation of Chinese filmmakers. Drawing on the method of textual analysis and Deleuzian theories of affect, it explores how these...
| Publicado en: | Critical Arts: A South-North Journal of Cultural & Media Studies Vol. 37; no. 2; pp. 31 - 46 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=171338882&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 171338882 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02560046 CTA jtl: Critical Arts: A South-North Journal of Cultural & Media Studies issn: 02560046 maglogo: N pubinfo: dt: Apr2023 vid: 37 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 171338882 10.1080/02560046.2023.2218451 ppf: 31 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.7MB tig: atl: Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye's Sino-French Film Love and Bruises (2011). aug: au: Dong, Wei affil: School of International Communications, University of Nottingham, Ningbo, China su: Cities & towns in art Love & Bruises (Film) Lou Ye Paris (France) Beijing (China) sug: subj: Paris (France) Beijing (China) Cities & towns in art Love & Bruises (Film) Lou Ye keyword: affect Cityscape displacement phenomenology ab: This paper examines the transnational cityscapes of Paris and Beijing in the Sino-French urban-set film Love and Bruises directed by Lou Ye, one of the so-called Sixth Generation of Chinese filmmakers. Drawing on the method of textual analysis and Deleuzian theories of affect, it explores how these two global cities are depicted as dystopian and illusive utopian places respectively, how the cityscapes are connoted, and how they are charged with affects. The author argues that Lou's imaginaries of transnational cityscapes insinuate individuals' bruises of displacement and dislocation in an era of active integration into globalisation. Moreover, cityscapes are presented phenomenologically and affectively in the film by screening the protagonists' act of viewing and the camera's lingering on the urban spaces. Finally, the cityscapes of Paris transmit a sense of estrangement or alienation, while Beijing's counterparts provoke postmodern bewilderment and anxiety. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Critical Arts: A South-North Journal of Cultural & Media Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2023 holdings: @attributes: islocal: N |
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