GREEN BOUGHS ON THE GRAVES: UNMOORING HERAT FROM IMPERIAL TIME.

The aim of this article is to explore how popular historical knowledge disrupts the spacetimes produced by imperial power. To this end, I present my reading of a shrine guide that was composed by Asil al‐Din Waʿiz in 1460 and that documents the city of Herat's blessed dead. This work, the Maqsad al‐...

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Publicado en:History & Theory Vol. 62; no. 3; pp. 367 - 386
Autor principal: AHMED, TANVIR
Formato: Artículo
Publicado: Wiley-Blackwell Sep2023
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: GREEN BOUGHS ON THE GRAVES: UNMOORING HERAT FROM IMPERIAL TIME.
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        au: AHMED, TANVIR
        affil: Occupied Narragansett lands (Providence, Rhode Island)
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        Historical literacy
        Shrines
        Imperialism
        Philosophy of time
        Historiography
        Herat (Afghanistan)
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          Herat (Afghanistan)
          Historical literacy
          Shrines
          Imperialism
          Philosophy of time
          Historiography
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        Afghanistan
        grave visitation
        Herat
        historiography
        popular knowledge
        temporality
      ab: The aim of this article is to explore how popular historical knowledge disrupts the spacetimes produced by imperial power. To this end, I present my reading of a shrine guide that was composed by Asil al‐Din Waʿiz in 1460 and that documents the city of Herat's blessed dead. This work, the Maqsad al‐Iqbal, anchors Herat to space and time by both the graves of the city's myriad saints and the tales told about them locally. I investigate the ways in which the popular historical knowledge recorded in the Maqsad al‐Iqbal offers a counterpoint to the ideas of Herat's past that have been generated by dynastic chronicles, luxurious visual arts, and the grandeur of royal construction projects. I am interested not only in alternative historical visions themselves but in how nonelite productions of history resist easy adaptation into a hegemonic scheme and how the dead themselves are constantly at work in our narratives, breaking down every attempt at a singular, coherent past.
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