Behrouz Boochani on Manus Island: Contesting Refugee Experience in the Global South.

This article makes a case for reframing refugee literature through reading Behrouz Boochani's No Friend but the Mountains, translated from Farsi by Omid Tofighian. Written in detention on Manus Island via text messages on WhatsApp, Boochani's book has won wide acclaim in Australia and internationall...

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Publicado en:Journal of Australian Studies Vol. 47; no. 3; pp. 531 - 547
Autores principales: Birns, Nicholas, Allahyari, Keyvan
Formato: Artículo
Publicado: Taylor & Francis Ltd Sep2023
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        atl: Behrouz Boochani on Manus Island: Contesting Refugee Experience in the Global South.
      aug:
        au:
          Birns, Nicholas
          Allahyari, Keyvan
        affil:
          Liberal Arts, New York University, New York, NY, USA
          Faculty of Humanities, Institute of English Languages and Literatures, Universität Tübingen, Tübingen, Germany
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        Developing countries
        WhatsApp Inc.
        Forced migration
        Literary festivals
        Refugees
        Text messages
        Life writing
      sug:
        subj:
          Developing countries
          WhatsApp Inc.
          Forced migration
          Literary festivals
          Refugees
          Text messages
          Life writing
      keyword:
        Behrouz Boochani
        character epithets
        gender and power
        Global South
        refugees
      ab: This article makes a case for reframing refugee literature through reading Behrouz Boochani's No Friend but the Mountains, translated from Farsi by Omid Tofighian. Written in detention on Manus Island via text messages on WhatsApp, Boochani's book has won wide acclaim in Australia and internationally, not only among literary critics, but as a work of popular appeal in writers' festivals and cultural prizes. The popular narrative around No Friend but the Mountains has introduced it, on the one hand, as a representative specimen of refugee literature, and more specifically as an example of life writing of a stateless Kurd. We argue that Boochani's work resists reductive characterisations of refugee literature both through its literary investments and its multiple affiliations with political and discursive interests. By attending closely to stylistic properties and its discursive contexts, we emphasise that No Friend but the Mountains is not just a protest against Boochani's own treatment by the Australian government but a tracing of how the lived experience and literary subjectivity of refugees in the Global South contests facile categorisation and unitary nationalism.
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