"If You Wish a Picture": Ekphrasis as Technique in Solmaz Sharif's Look.

This article analyzes the use of ekphrasis in Solmaz Sharif's debut poetry collection, Look (2016). The poems in Look are constructed around terms taken from the United States Department of Defense's Dictionary of Military and Associated Terms and describe the experiences of Sharif and her Iranian f...

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Publicado en:Canadian Review of American Studies Vol. 53; no. 2; pp. 173 - 187
Autor principal: Obedkoff, Aaron
Formato: Literary Criticism
Publicado: University of Toronto Press Aug2023
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "If You Wish a Picture": Ekphrasis as Technique in Solmaz Sharif's Look.
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        au: Obedkoff, Aaron
        affil: Independent Scholar
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        September 11 Terrorist Attacks, 2001
        Iranian Americans
        Look (Book)
        Sharif, Solmaz
        United States. Dept. of Defense
        Foucault, Michel, 1926-1984
        Poetry (Literary form)
        Ekphrasis
        21st century (Literary period)
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          September 11 Terrorist Attacks, 2001
          Iranian Americans
          Look (Book)
          Sharif, Solmaz
          United States. Dept. of Defense
          Foucault, Michel, 1926-1984
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          Ekphrasis
          21st century (Literary period)
      keyword:
        contemporary poetry
        ekphrasis
        poésie contemporaine
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        This article analyzes the use of ekphrasis in Solmaz Sharif's debut poetry collection, Look (2016). The poems in Look are constructed around terms taken from the United States Department of Defense's Dictionary of Military and Associated Terms and describe the experiences of Sharif and her Iranian family in the aftermath of the events of 9/11. The prominent presence of sight and visuality in the collection will be analyzed through the concept of the "scopic regime." Turning attention towards Sharif's description of artifacts of family memory, including a video recording of Sharif's father and a series of photos of her uncle, it is argued that ekphrasis functions in the collection as a mechanism by which to determine the conditions of visibility within the collection and, in so doing, navigate the problematics of mediating trauma and violence in the contemporary scopic regime.
        Cet article est une analyse de l'emploi de l'ekphrasis dans le premier recueil de poésie de Solmaz Sharif, Look (2016 ; en français : Mire). Les poèmes de Mire, construits sur des termes empruntés au Dictionary of Military and Associated Terms du ministère de la Défense des États-Unis, décrivent les expériences vécues par l'auteure et sa famille, d'origine iranienne, après les évènements du 11 septembre 2001. La présence frappante de la vue dans les poèmes ainsi que leur caractère visuel sont analysés grâce au concept de régime scopique. En s'intéressant à la description par l'auteure d'artéfacts de la mémoire familiale, notamment une vidéo de son père et une série de photos de son oncle, l'article soutient que l'ekphrasis fonctionne comme un mécanisme qui détermine les conditions de visibilité à l'intérieur du recueil et que, ce faisant, elle permet de démêler la problématique de la médiation du traumatisme et de la violence dans le régime scopique contemporain.
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