National Identity in Snyder and Berlin's "That Opera Rag."

Examines the depiction of a song as a point of reference and symbol with which Americans could address a complex nexus of emotions and attitudes toward class distinctions, racial difference, national identity, and changing gender roles in "That Opera Rag," written by Ted Snyder and Irving Berlin. Ev...

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Publicado en:American Music Vol. 22; no. 3; pp. 380 - 407
Autor principal: Hamberlin, Larry
Formato: Artículo
Publicado: University of Illinois Press Fall2004
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: National Identity in Snyder and Berlin's "That Opera Rag."
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        au: Hamberlin, Larry
        affil: National Association for Armenian Studies and Research
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        Songs
        Berlin, Irving, 1888-1989
        Snyder, Ted
        Racial differences
        Race relations
        National character
        Nationalism
        Gender role
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          Songs
          Berlin, Irving, 1888-1989
          Snyder, Ted
          Racial differences
          Race relations
          National character
          Nationalism
          Gender role
      ab: Examines the depiction of a song as a point of reference and symbol with which Americans could address a complex nexus of emotions and attitudes toward class distinctions, racial difference, national identity, and changing gender roles in "That Opera Rag," written by Ted Snyder and Irving Berlin. Evaluation of the lyrics of the song; Question whether the song is a way of expressing a fear of opera-loving African Americans; Observation of racial difference in the core of the song.
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    language: English
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